Coming Friday: Cameron finally gets to work, and it’s a bit…distracting. Also, I have do some pondering what how easily it is to clock a woman writing a male character, and whether the tools for doing it are outdated.

Coming Friday: Cameron finally gets to work, and it’s a bit…distracting. Also, I have do some pondering what how easily it is to clock a woman writing a male character, and whether the tools for doing it are outdated.
This week, Hatsumi is rocking the book title. Also, I muse on the venn diagram between authenticity and originality when writing fiction – how do our experiences feed our writing, and what kind of assumptions do we make about their uniqueness? Read now at https://syphoncontinuity.substack.com.
Experimented with an alternative version of the chapter too–a little light haiku. In the full chapter, Kenji is getting up to hijinks. So many hijinks. He should perhaps consider fewer hijinks.
Now available: Taehyun has some hijinks. Also, I ponder the relationship between medium and depth of characterization. Subscribe at https://syphoncontinuity.substack.com.
Also, we talk about experimenting with form and fiction. It’s an exciting time for new ways of writing.
The Butterfly Koi, a serial novel, available now at http://syphoncontinuity.substack.com.